The lake stage of the Bregenzer Festspiele is world-famous – not just as a venue for opera, but as a landmark. A stage built on the lake, framed by mountains, city and horizon. It’s where nature, architecture and music merge into an experience you won’t find anywhere else.
Der Freischütz 2025 – a winter village in the heart of summer
In the 2025 season, Carl Maria von Weber’s “Der Freischütz” returns to Lake Constance. Directed by Philipp Stölzl – who also designed the set – the stage will transform into a full village: eight buildings, including a mill, a tavern, and a twelve-meter church tower. The atmosphere recalls the time after the Thirty Years’ War – melancholic, immersive, rich in detail. And always with a view of the water.
The structures are made of wood and steel. Layer by layer, their facades were shaped using styrofoam, plaster and paint – until they took on the realistic look of stone and timber. Hidden inside: around 70 speakers and chimneys that emit smoke during each of the 27 performances. A multisensory experience from visuals to sound.
A look behind the scenes
Want to see what goes on behind the spectacle? Guided backstage tours are available.
From June 2 to July 15, 2025: tours are held on Mondays, Wednesdays and Fridays at 4:00 p.m.
During the Festival period – from July 16 to August 17 – daily tours run hourly between 10:30 a.m. and 3:30 p.m. (except opening day, July 16).
Each tour lasts approx. 40 minutes and includes the Festspielhaus and – weather permitting – the lake stage. You’ll learn about the history, technology and artistic vision behind the Bregenzer Festspiele.
Tickets:
- Price: € 8.00 per person
- Children, pupils and students up to age 26: free (discount tickets available by phone only)
- Language: German
- Available online, by phone or at the box office
- Limited spots – advance booking recommended.
From Studio 17 to the stage – on foot
Studio 17 is just a short walk from the Festspielhaus – along the lake promenade, past cafés, boat docks, and picture-perfect views of the water.
Photo © Michael Kemter